Embodied Human–Computer Interaction in Vocal Music Performance

This SpringerBrief explores the intersections of speech, HCI, and embodiment, focusing on how speech can be embodied and mediated through gestural communication via sensor interfaces. It aims to contextualize aspects that foster meaningful connections in interactive interface performance. The author presents an approach to understanding creative practices in gestural live music performance, emphasizing the embodied relationships within such systems. It examines the underlying practices, principles, and sensor technologies that support creativity in embodied human-computer interaction in vocal music performance. It also provides a dynamic framework and tools for those interested in exploring this topic further.