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Techno on Canvas: Rethinking Audiovisual Practice in the Age of AI

Techno on Canvas brings electronic music, abstract oil painting and instrument-making into one cross-modal performance system. It explores cross-art, cross-medium and cross-body practice, asking why interdisciplinary human creativity matters as AI becomes increasingly multimodal.

Techno on Canvas: Rethinking Audiovisual Practice in the Age of AI

© Yoonwoo Ha

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  • Ha, Y. (2026). Carefully Improvised Techno: Connecting Electronic Music Performance and Robotic Abstract Oil Painting through a Cross-Modal Studio-Instrument for Materialised Human-Centred Creativity. ECHO, Orpheus Institute. Read article

  • Ha, Y. (2024). Connected Spirituality: A Semiotic and Autoethnographic Investigation into Electroacoustic Music Improvisation and Abstract Oil Painting. MA Creative Music Production, Institute of Contemporary Music Performance. Read thesis

  • Leman, M. (2008). Embodied Music Cognition and Mediation Technology. MIT Press.

  • Godøy, R. I. & Leman, M. (eds.) (2010). Musical Gestures: Sound, Movement, and Meaning. Routledge.

  • Magnusson, T. (2019). Sonic Writing: Technologies of Material, Symbolic & Signal Inscriptions. Bloomsbury Academic.

Yoonwoo Ha
About the author

Yoonwoo Ha

Yoonwoo Ha is an interdisciplinary artist, electronic music producer, educator and researcher whose practice connects live electronics, visual art and creative technology. His work explores embodied interaction, cross-modal perception and human–machine co-creation.

Author Profile: yoonwooha.com